Ridiculous Critics

Ridiculous Critics is an anthology of eighteenth-century writings on the figure of the literary critic, and his role as censor, foolish opinionated drudge, and mediator between writers and the literary public, inspiring fear, ridicule, and wild compensatory imaginings. This collection assembles critical texts and satirical images chronologically to form our vision of the history of eighteenth-century literary criticism. With passages from critics, poets, novelists and literary commentators celebrated and obscure, the writings range from poetry, fiction, drama, and periodical writing. The anthology also includes two original essays explaining and illustrating the irrepressible spirit of critical ridicule in the period, and commending its value and effect. Of these essays, the first offers an evaluation of the merciless and sometimes shockingly venomous satirical attacks on critical habits and personalities of the eighteenth century. The editors argue that such attacks are reflexive, in the sense that literature and criticism become increasingly supple and able to observe and examine their own limitless, irresponsible ingenuities from within. The volume's concluding essay supplies an analysis of modern modes of criticism and critical history, and makes comparisons or suggests applications across time. The eighteenth-century mockery of critics casts light on a neglected common thread in the history of criticism and its recent manifestations; it prompts questions about the relative absence of comedy from the stories we presently tell about critics dead or alive. The passages invite laughter, both with the critics and at their expense, and suggest the place that ridicule might have had since the eighteenth century in the making of judgments, and in the pricking of critical portentousness and pretension. For this reason, they indicate the role that laughter may still have in criticism today and provide an encouraging precedent for its future.