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This book is the first academic volume investigating narrative configurations of posthuman identity in Italian literature and film. Through twelve thought-provoking, scholarly essays by established and emerging researchers in the field of Italian studies, this volume analyzes works by a range of modern and contemporary authors, from Giacomo Leopardi to Elena Ferrante, who have captured the shift from anthropocentrism and postmodernism to posthumanism. As humans re-negotiate their boundaries with the nonhuman world of animals, inanimate entities and technological artefacts, new identities are formed and a new epistemological and ethical approach to reality is needed. Posthumanism in Italian Literature and Film: Boundaries and Identity undertakes the challenge to start mapping out a virtually uncharted territory in which questions of agency, interconnectedness, and thresholds of knowledge, gender and identity are intertwined with an exploration of the nature-culture continuum.
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